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You’ve heard correctly. Bond is back alright, but is it okay to bring the kids along?

So many movies are unveiled in cinemas each year, but only a select few are elevated to the status of events.

Event movies often come in the form of MCU behemoths and big franchise blockbusters. Indeed, whenever a James Bond movie hits screens, it’s pretty much considered an essential trip to the cinema.

Daniel Craig has impressed in the role ever since Casino Royale, all the way up to his fourth film in the series, Spectre. Now, his fifth and final outing as 007 is here and the excitement is through the roof.

It was initially supposed to come out back in November 2019 but suffered numerous delays for a variety of reasons. So, it’s no stretch to say that the anticipation for this Bond vehicle is somewhat higher than the others; wait longer, want longer.

Nevertheless, it’s here now, but before gathering the family for this moviegoing experience, it’s worth acknowledging the No Time to Die age rating…

• NO TIME TO DIE: Is there a post-credits scene?

No Time to Die age rating

No Time to Die has earned a 12A rating in the UK and a PG-13 in the US.

Looking into why the film has been given this rating, it has been noted that it contains sequences of violence and action, some disturbing images, brief strong language, and some suggestive material.

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Essentially, films that are given a 12A generally contain material that is considered unsuitable for those aged below 12.

However, children under 12 are permitted to watch the movie as long as they are accompanied by an agreeing adult.

With audiences flocking to see it from Thursday, September 30th 2021, you’d be wise to book online ahead of your cinema visit to ensure the screening you wish to attend isn’t sold out. The multiplexes are sure to be very busy for this one.

• NO TIME TO DIE: Why did Danny Boyle leave?

No Time to Die parents guide

WARNING: POTENTIAL SPOILERS FOR NO TIME TO DIE

If you’re aware of the rating but would still like to know the specifics before deciding whether to accompany your kids to a screening, we have you covered.

IMDb has already included a number of details regarding content deemed potentially inappropriate for younger audiences

In the realm of sex and nudity, there is passionate kissing, as well as a topless woman and man shot from behind.

As for violence and gore, on the other hand, there are a number of scenes with visible gore, wounds, and there are sequences that depict shootouts between heroes and antagonists.

One particular scene reveals a fake eye being removed from a socket. In addition to this, a later sequence shows a child being taken hostage and in another, a character’s fate is sealed when he dies from exposure to a deadly chemical.

“That was a very conscious decision…”

There has been much talk about Lashana Lynch coming aboard to portray the new 00 agent.

In conversation with The Hollywood Reporter, the actress has opened up about the director’s attempts to make No Time to Die a more balanced and enriched piece of work:

“Cary [Joji Fukunaga] had big discussions with Barbara and Daniel about how to give the female characters equity, how to keep them in charge of themselves, how to give them solo moments where the audience learns who they are. It was really important to empower the female characters as stand-alones.”

She added: “I think that he kept that in mind throughout the whole shoot. I didn’t feel like Nomi, as a young Black woman, was constantly standing behind the white guy, which, for me, is job done. And that was a very conscious decision for Cary.”

No Time to Die is in UK cinemas now.

In other news, Where to watch The Many Saints of Newark: Is the movie in theaters?

Yes, Daniel Craig makes a superb Bond: Leaner, more taciturn, less sex-obsessed, able to be hurt in body and soul, not giving a damn if his martini is shaken or stirred. That doesn't make him the 'best' Bond, because I've long since given up playing that pointless ranking game; Sean Connery was first to plant the flag, and that's that. But Daniel Craig is bloody damned great as Bond, in a movie that creates a new reality for the character.

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Year after year, attending the new Bond was like observing a ritual. There was the opening stunt sequence that served little purpose, except to lead into the titles; the title song; Miss Moneypenny; M with an assignment of great urgency to the Crown; Q with some new gadgets; an archvillain; a series of babes, some treacherous, some doomed, all frequently in stages of undress; the villain's master-plan; Bond's certain death, and a lot of chases. It could be terrific, it could be routine, but you always knew about where you were in the formula.

With 'Casino Royale,' we get to the obligatory concluding lovey-dovey on the tropical sands, and then the movie pulls a screeching U-turn and starts up again with the most sensational scene I have ever seen set in Venice, or most other places. It's a movie that keeps on giving.

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This time, no Moneypenny, no Q and Judi Dench is unleashed as M, given a larger role, and allowed to seem hard-eyed and disapproving to the reckless Bond. This time, no dream of world domination, but just a bleeding-eyed rat who channels money to terrorists. This time a poker game that is interrupted by the weirdest trip to the parking lot I've ever seen. This time, no laser beam inching up on Bond's netherlands, but a nasty knotted rope actually whacking his hopes of heirs.

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And this time, no Monte Carlo, but Montenegro, a fictional casino resort, where Bond checks into the 'Hotel Splendid,' which is in fact, yes, the very same Grand Hotel Pupp in Karlovy Vary where Queen Latifah had her culinary vacation in 'Last Holiday.' That gives me another opportunity to display my expertise on the Czech Republic by informing you that 'Pupp' is pronounced 'poop,' so no wonder it's the Splendid.

I never thought I would see a Bond movie where I cared, actually cared, about the people. But I care about Bond, and about Vesper Lynd (Eva Green), even though I know that (here it comes) a Martini Vesper is shaken, not stirred. Vesper Lynd, however, is definitely stirring, as she was in Bertolucci's wonderful 'The Dreamers.' Sometimes shaken, too. Vesper and James have a shower scene that answers, at last, why nobody in a Bond movie ever seems to have any real emotions.